Connecting Communities – Featured Work

THIS MONTH’S FEATURE

Welcome! We hope you enjoy this months featured work that is coming out of the prairies.

 

FEBRUARY 2021

Kyle Charles: Artist, Illustrator, Storyteller

Celebrate Indigenous Storytelling Month with the work of Cree artist, Kyle Charles. I wanted to feature Kyle Charles this month  because his work is so amazing and also because he is going to be the guest speaker at the next Prairie Rivers Reconciliation Committee meeting at the end of the month and we get to meet him! Virtually of course.

Kyle Charles, a Treaty 6 artist/illustrator, couldn’t believe it when he was approached by Marvel to draw the character of Dani Moonstar for their new anthology, Indigenous Voices. This issue features Indigenous characters and their adventures portrayed by Indigenous writers, illustrators and colourists.

Traditionally, Indigenous superheroes have been one-dimensional/stereotypical characters presented by non-indigenous artists. Having Charles drawing Moonstar is a chance for him to share the stories of his people; his own stories and his culture. With Moonstar, Charles used the powerful women in his life – his mom and his aunties –  as his inspiration. Like them, this hero manages to handle difficult situations with humour and calm.

Charles is currently working on a project (coming out this Spring) involving stories of the Wheetago – a man eating spiritual being/zombie like creature – a tale he first heard from his Kokum, Cree for grandmother. Having First Nations artists like Charles telling their stories and sharing their culture through comics and main stream media is a step in the right direction.

 

 

 

JANUARY 2021

How to Be at Home by Andrea Dorfman  4:55 min

This month’s feature does not specifically feature an Indigenous artist from the prairies – but it is about connecting communities and finding comfort in a shared experience. This short animation by Andrea Dorfman and poet Tanya Davis was one of the National Film Board’s most viewed works this year. At a time when so much in the world is about what separates, polarizes and divides people from one another, it is important to be reminded that we are part of a shared emotional experience of life during a pandemic. Dorfman’s piece is about what many of us are going through and what connects us all in this time of isolation. How to Be at Home is part of THE CURVE, a collection of NFB social distancing stories that bring us together. I hope you enjoy this piece as much as I do and take comfort knowing you are not alone.

DECEMBER 2020

Lake by Alexandra Lazarowich

Lake is a real time glimpse of two Métis women net fishing in Northern Alberta. Cree director Alexandra Lazarowich takes advantage of a particular style of documentary film, Cinéma Vérité, as a contemporary storytelling tool.

In a blog post by Kim Leonard, she explains that Cinéma Vérité or “Truth Cinema” is a style of documentary filmmaking we see often but are maybe not aware of. It began as a French film movement in the 1960’s that focused on filming real, everyday situations and avoiding anything artificial. Cinéma Vérité allowed independent filmmakers to record events as they happened; a way of storytelling that was free of deceptions. Prior to this movement, documentaries often had an educational tone with an overdubbed narrator to provide a certain lesson or point of view. The goal of Cinéma Vérité was to have the subjects speak for themselves without a narrator. This allowed viewers to become a part of events and form their own opinions about those in the film and their actions.

Cinéma Vérité can be an effective, artistic approach to Truth & Reconciliation. It is perhaps a good way to begin relearning history, sharing stories and understanding each other in an unbiased way. When you view Lazarowich’s piece, think about what you hear or see and what you may feel as these women fish. What do your senses tell you about these women? What is the real story being told?

 

 

 

NOVEMBER 2020

Artist Lauren Crazybull

Lauren Crazybull, “Self-Portrait,” 2019 acrylic on canvas, 36” x 36” (courtesy of the artist)

I was reading through Uppercase magazine the other day when I came across the work of Lauren Crazybull. Crazybull is an Edmonton based Blackfoot-Dene visual artist and is Alberta’s first provincial artist in residence. This 26 year old artist creates portraits of young, contemporary, Indigenous people in a way that was not often done in the past. In a Gallerieswest article, Agnieszka Matejko discusses how portraits of Indigenous subjects have historically been done to either depict faceless, wild attackers or the “noble savage.” Though we rarely see this type of work displayed today, the ideas and stereotypes that past works contained still exist. Crazybull’s activism is in her work as she reverses the colonial gaze by painting powerful, defiant, Indigenous people; portraits that confront the viewer, refusing to let them turn away. After seeing her work, one gets the feeling that like her portrait sitters, Lauren Crazybull isn’t about to disappear, but rather, she is just getting started.

 

 

 

ORANGE SHIRT DAY FEATURE
BROTHERS & SISTERS – a film by Kent Monkman

To mark Orange Shirt Day on September 30, 2020 – and create awareness about  residential school experiences, the National Film Board has put together Souvenir – a series of 4 films dealing with Indigenous identity and representation. The cool thing about this series is that these films are made up of reworked material from the NFB archives. Sisters & Brothers, a 3 minute film by Kent Monkman, is an artful, hard-hitting comparison between the decimation of the bison in the 1890’s and the devastation of the residential school system on the Indigenous population.

To watch and learn about the other 3 short films that make up Souvenir.

Kent Monkman is an interdisciplinary Cree Artist with themes of colonization, sexuality and resilience running through his work. He is well known for turning famous or familiar works of art on their heads, recreating images in a way that reverses the viewers gaze and challenges non-Indigenous notions of the Indigenous experience or history. If the power of this piece appeals to you – take some time to check out more of Monkman’s work. 

 

 

SEPTEMBER 2020
A film by Janine Windolf

I was drawn to this piece after spending some time camping with my family in Northern Saskatchewan this summer. Found on the National Film Board website, Janine Windolf’s film is a delightful glimpse of Lac LaRonge and the adventure the land holds for her two young boys that have been raised in the city. As this piece progresses, one can see that in a brief 11 minutes, Windolf goes much deeper, revealing a story of strength, wisdom and hope for the future. Click here to watch Stories Are In Our Bones.

Read more about Windolf’s inspiration in the Leader Post article.

-Nicole Thiessen, Director of Programming

 

AUGUST 2020
Ruth Cuthand Exhibit

THE GALLERY/art placement inc. has put together a fantastic exhibit of Ruth Cuthand’s beaded work. Cuthand is an acclaimed Treaty 6 artist that has been hard at work since the pandemic began. Her intricately textured images of COVID-19 are so attractive in their unusual subject matter that they demand a second, more thoughtful look.  Cuthand’s art conjures up thoughts around the complex, historical trading relationship between Indigenous communities and settlers. While the art of beading is rooted in tradition, Cuthand uses this medium/trade good as a way to invite viewers to think about the impact european settlements, trade relationships and viruses have had on First Nations communities in the past and present, with the Coronavirus.

Ruth Cuthand, Surviving: COVID-19 No. 2, 2020. View Exhibit 

Nicole Thiessen, Director of Programming

 

 

JULY FEATURE
Reserve 107 Film

In March 2020 when COVID forced us to close our doors, I spent some time watching films that I have been meaning to check out but never seemed to have the time. Prairie Rivers Reconciliation Committee (PRRC) and the Office of the Treaty Commissioner (OTC) sent out an email that had a ton of excellent reconciliation resources on it and the Reserve 107 Film was one of them. Initially, the Station Arts Centre was planning to have a screening of this film in our theatre, followed by a panel discussion. Artist Ray Keighley was to be a part of this discussion while also creating a mural based on this story. The screening and the mural project have been put on hold however, we welcome your thoughts on this film through the contact form below. These comments would indirectly shape the mural project if we are able to go ahead with it in the future. This is a great example of a reconciliation journey right here in our own backyard. Enjoy!

Click here to watch Reserve 107

-Nicole Thiessen, Director of Programming